For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

Norman Rockwell's son, Tom, has put together the absolute finest collection of his father's bounteous body of work, illustrations that bespeak the golden glow of pre- and post-WWII Americana. Rockwell senior, who said he depicted life "as I would like it to be," chronicled iconic visions of American life: the Thanksgiving turkey, soda fountains, ice skating on the pond, and sma...(展开全部)

This full-sized album of Saturday Evening Post covers captures everyday events and historic moments in American history. Although technically Norman Rockwell was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was famliar—astonishingly so—and at the same time unique. Rockwell best ex...(展开全部)

菲利普•斯塔德曼是伦敦大学学院城市与建筑形式学教授。他接受过建筑学教育，曾在剑桥大学及英国开放大学任教。他曾出版几本有关建筑当中的几何形式和计算机辅助设计的书籍。在20世纪60年代，他编辑并出版了《形式》[Form ]杂志，这是一份艺术季刊；他还和其他作者合作出版了一本有关动态艺术的书籍。1989年，他帮助伦敦的一个展览制作了四部有关列奥纳多•达•芬奇作品的数码动画。他也曾参与其他有关透视几何与艺术史的展览、电影与书籍制作。《维米尔的暗箱》是斯塔德曼对维米尔这位荷兰艺术家长达20年的痴迷的成果。

Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photogr...(展开全部)

Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photogr...(展开全部)

菲利普•斯塔德曼是伦敦大学学院城市与建筑形式学教授。他接受过建筑学教育，曾在剑桥大学及英国开放大学任教。他曾出版几本有关建筑当中的几何形式和计算机辅助设计的书籍。在20世纪60年代，他编辑并出版了《形式》[Form ]杂志，这是一份艺术季刊；他还和其他作者合作出版了一本有关动态艺术的书籍。1989年，他帮助伦敦的一个展览制作了四部有关列奥纳多•达•芬奇作品的数码动画。他也曾参与其他有关透视几何与艺术史的展览、电影与书籍制作。《维米尔的暗箱》是斯塔德曼对维米尔这位荷兰艺术家长达20年的痴迷的成果。

Norman Rockwell's son, Tom, has put together the absolute finest collection of his father's bounteous body of work, illustrations that bespeak the golden glow of pre- and post-WWII Americana. Rockwell senior, who said he depicted life "as I would like it to be," chronicled iconic visions of American life: the Thanksgiving turkey, soda fountains, ice skating on the pond, and sma...(展开全部)

Norman Rockwell's son, Tom, has put together the absolute finest collection of his father's bounteous body of work, illustrations that bespeak the golden glow of pre- and post-WWII Americana. Rockwell senior, who said he depicted life "as I would like it to be," chronicled iconic visions of American life: the Thanksgiving turkey, soda fountains, ice skating on the pond, and sma...(展开全部)